Music for Analysis: Examples from the Common Practice Period and the Twentieth Century
| Author | : | |
| Rating | : | 4.39 (747 Votes) |
| Asin | : | 0195379837 |
| Format Type | : | paperback |
| Number of Pages | : | 592 Pages |
| Publish Date | : | 2015-05-02 |
| Language | : | English |
DESCRIPTION:
Mom of 8 said Way overpriced!. Classic example of greed in higher education. Almost all materials in this book could be found online for free. No need to lug around a huge expensive brick of uselessness.. "Book comes apart from binding very easily, so keep an eye on it and try" according to Jamie. Book comes apart from binding very easily, so keep an eye on it and try to get the binding back through the pages as they come out, or it will be difficult to turn pages in the future.. The copy I got was falling apart and didn't have The copy I got was falling apart and didn't have a back cover. There was a rubber band around it.
Offering 470 pieces of music from the Baroque period to the present, Music for Analysis: Examples from the Common Practice Period and the Twentieth Century, Seventh Edition, is the most comprehensive anthology of its kind. FEATURES* Provides 363 excerpts organized logically by harmonic content and 107 complete pieces; ideal for traditional form and analysis courses as well as tonal harmony courses* Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ* Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal of compr
Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University.Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.
The new Model Analyses add more depth to the text and enable it to be used in a wider variety of class offerings. As an anthology that can be used for both harmony and form classes (or a combination thereof), this text can't be beat."--Ellon Carpenter, Arizona State University"I have never seen an anthology that comes close to this one for extensiveness, playability, variety, and practicality for theory classes."--Robert Young McMahan, The College of New Jersey. "Outstanding feature